Storyboarding for Animation, Week 1

It’s surprisingly hard to fit a story in 10-12 panels. I was kinda unsure about taking a storyboarding class because the prerequisites sounded so high level but I feel like I’ve already learned some really useful tidbits, like the idea that sometimes when filmmakers cut around a ton during a scene, it can be due to fear that it’ll be too “boring” if characters are just talking.

Personally, I’ve felt similar fear myself, and now that I think about it, I believe a lot of it is due to lack of confidence. “The audience won’t want to see X scene, so I need to hurry and show Y scene!”

But pretty much anything can be compelling with the right treatment. I also didn’t expect to see parallels between storyboarding and fashion lol!

Storyboarding

Taking a storyboarding class this term, still hurting from losing a fight with the sidewalk the other day 😭.

Eye Study (MPD Psycho)

Eye studies! Years after I first read MPD Psycho, Amamiya Kazuhiko’s eyes still make a big impression on me — probably because he’s the protagonist, yet has eyes like a serial killer.

Since a lot of eyes in manga are heavily ornamented, I was interested in how simplified eyes could convey so much emotion and intrigue. No, perhaps it’s because they’re so simplified that their message can be conveyed so easily!

A breakdown of an MPD Psycho panel